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Questions and answers. Feral


A curious thing happens often to a narrator, that he be asked questions about the beginnings of his craft. I say curious, because I imagine they will not ask a carpenter when and why he decided to build its first chair, or a sea captain when he decided to ram his first iceberg.

Instead it seems that the writer must somehow give an account of how he came into this freak. On the one hand the question is flattering because it implies some element of eccentricity in the thing, forcing the other to climb whenever the mirrors to provide a response at least sensible, that there do in fact go through daffodils or worse, for shrinking violet.

The difficulty of the answer lies in a sort of space-time-lag, which generally do not think.
E 'it's pretty obvious, I think, that writing always begins by reading. We fell in love with a certain type of stories and at some point if they are no longer enough, you have the feeling that something is missing: what begins to rise to the idea of \u200b\u200bus add to the pile.

We start therefore always on the reading, and before and the more you before and is more like writing. But the critical issue is: "what" readings? And also, "when"?
Reading as all complex stimuli, which are sensory or intellectual constructs our vision additions and subtractions to the world, but its timing, linked to the evolutionary cycle. "Treasure Island" has a very different impact on our imagination for 10 years, 18 or 25. Reading Kafka at age 16 we start at a later interpretation of the world complex, distressed but also problematic. Doing it at 50 is just an intellectual, as intense as you want but that hardly change a well-established Weltanschauung.
charm but also the drama of writing it is that when you start, actually has already begun a decade earlier . I can write a science fiction novel at 20 to 10 years only if I read "From the Earth to Moon "and 15 Bradbury, Heinlein, Asimov, etc..

But what if I did? In most cases there's nothing left to do. You can
groped shock therapy, hastily constructed a store base of two to three hundred key works in the genre you choose (perhaps becoming a partner to help, and here perhaps a good school of writing may have some use), but staying alert to not bundle material at random, but respecting a basic hierarchy of value.

Never rely on the books of a newspaper supplement, however: it is perfectly useless to know by heart the complete works of Paulo Coelho If we ignore Borges or Marquez (I it happened with my student). Or read
Moravia but not Tolstoy, but not Pasolini Manzoni, the last witch but not Joyce.
So we need a method, as in all. If for no other reason then to have the pleasure of violating it and do what we please.

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news. Genre

Just a few months ago it was celebrating the pervasiveness obsessive to the point of arousing fear in the criticism that noir could engulf other forms, incorporating the literature as a Blob from Outer Space in the B- movie of the '50s.

And now instead run nasty rumors about his health, it almost gives the bier. But I do not think that it is still appropriate to send for the priest, and the noir genre and the narrative tension is close to defungere.

Sure, there are signs some fatigue, authors and readers, and as with other genres of the past for the noir would eventually ring the bell. But to die should be the occurrence of a condition which I believe has not yet been realized, and that in his time well summed Nietzsche: Was vollkommen ward, Reife alles - will sterben!
That is, translating a bit 'off the cuff, all that is mature and perfect want to die.

phrase full of suggestions, but also enigmatic: so much so that Karl Ernst Knodt rightly sung: Hat allein das Recht zum Sterben! words "only" that which is perfect has the right to die.
Now, say that noir has reached its full maturity and perfection seems somewhat risky. Unless we give up the idea that this is a genre inherently lesser, for which we must make do with what goes on in the convent without being too quibble, I would say that Dante or Shakespeare of film noir have not yet appeared horizon.

We are still in the dawn, it is only a few decades that started the great quest. The modern publishing machine was able to fill this space with thousands of titles, but an amount that is still difficult to get quality absolute. This is not to say that not to happen sooner or later, and maybe some disappointment might even benefit, such as pruning invigorates the fruit tree. Then

will also masterpieces, the genre will die out and calmly as a bearded patriarch of the Bible in front of a crowd of his descendants.
The only important thing is that this is done, contrary to fears of Eliot, with a bang and not a complaining (yet to sneak something in a big one.)

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levels.

I often discuss the relationship between genre fiction and literature "high".

It 's a big wheel to which it is practically impossible escape, readers or writers who you are to be, at least for a couple of centuries.

Since precisely the kind of narrative is seemingly born. I say apparently, because it would be more correct to say, it began to assume its role as a self-narrative in the landscape.

Because in reality the "kind" is very old, would say that originated with the first stirrings of humanity around the fires of the caves. Or under the trees of the savannas, judging by the latest findings.

And often I repeat the clichés, a bit 'out of laziness and a little' for a quiet life: the genus is derived from classical literature, he takes themes and styles and then simplifies them, summarizes them to adapt to a mass audience a bit 'simpleton and hasty. An audience to be clear that she would be in trouble with Macbeth, but that can no longer enjoy the serenity Indemnity .

I mean the kind would be a sort of Third Estate, which is opposed to the arrogance of the aristocracy of literature, to pull the shorts and readjusts himself in the form of straps, more or less similar.

In reality, however, are not at all convinced that this is so. I think in fact the exact opposite: the genre is the great reservoir, the primordial soup of the narrative, A deposit of unformed characters, events, emotions, from which gushed out from time to time that works by chance or skill of the authors leave the pot to rise to the main floor of the culture through an action of aging ingredients.

But the origin of all remains the same. E 'from' Puppet Theatre that comes out Furioso, not vice versa. Pace of criticism and neo-romantic, genius is inspiration, perspiration but also pay attention to what is already there.

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The writer and the characters of the writer.

Yesterday I was in Ravenna Coamastri Montanari Danila and Eraldo Baldini, hosts of "Crimes & Detective: black night white souls "(among other things, a beautiful title, and so chiasmatic antifrastico) and I heard that crazy red head and laughing a lot of Daniel tell the truth.
That was more or less:" I know Today investigators are all the rage a bit problematic and 'losers, but I did my senator charming, rich, noble and healthy for that, then dovendoci live for hours and days and years, I did not want to among the boxes a few unbearable jinx. "
A great truth, I said, that does justice to harm innocent but widespread, that the writers want travasino characters in their perception of themselves, or worse yet "another" that they would be.
Not at all, the characters are only those personae fictae that each of us would like to meet. And not necessarily because we like them, but also because it might displease us, fascinate us, terrorize us, but who somehow are so interesting to spend together just take hours, days and even years.
the point of wanting to make a lot of enthusiasm to participate even those victims who are poor readers, forgive us.

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Wednesday, October 20 in Rome, the library Koob Via Luigi Poletti 2, at 18.30 I'm going to speak of the s equenza wonderful together with his friend Luigi Milani.


this is a mystery-detective story will not be provided details on its plot, as some suggestive allusion. On the other hand there are many digressions on the eternal illusion of tempting fate, the world of the circus and political circles, the adventures of d'Annunzio in Fiume and a unique cast of characters, "uommene scicche Femmene and pitted."

When you drink soft drinks and munching on chips. If you come only for what does not offend me.
Maybe for something more you can see here:

http://guide.supereva.it/giallo_e_noir/interventi/2010/10/la-sequenza-mirabile-di-giulio-leoni---un-giallo-dentro -in-a-yellow.